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Tuesday Takeover: Book Inspired Careers by Elizabeth Klett

I have two jobs that I love: literature professor and audiobook narrator. Both, of course, are centrally connected to my abiding love of books. And both grew out of my undergraduate experience as a double major in English and Theatre Arts. At the same time that I was learning to read, write about, and love literature of all kinds, I was learning how to become an actor. I never thought back then that I would be able to incorporate all of that training into my everyday life through this dual career.

On the surface, my two jobs probably seem pretty different from each other. And in some ways that’s true. My “day” job means that I teach a pretty wide variety of undergraduate and graduate classes, from surveys of British literature and introductions to literary studies, to courses on Shakespeare (my particular interest), Jane Austen, fairy tales, and African-American women writers. I’m lucky to have a job that allows me to teach both in and out of my field of expertise. I also have to do a fair amount of my own writing; I’ve published an academic book and am currently working on a second one, and am constantly writing shorter essays as well. (This takes forever, incidentally; academic writing and publishing moves verrrrryyyyy sloooowwwwly. I’m sure Sarah will have written and published a dozen books by the time my next one is finished!) Audiobook narration, on the other hand, is purely creative, engaging my voice and mind in the service of someone else’s writing. As a narrator, I want to make the listening experience as enjoyable as possible, while also realizing the author’s vision.

Despite these differences, I think both of my jobs draw on many similar skills. At root, both teaching and narrating mean that I read books, think about what they mean, and try to communicate that meaning to others. Yes, teaching means discussing those meanings with a room full of students, and narrating means sending the book out into the world for listeners to engage with. But at root I think they’re actually pretty similar. In both my jobs I get to share my love of literature with other people and celebrate the endless creative possibilities of various literary genres (I’ve narrated and taught romance, dystopian, SFF, YA, horror, action, military, historical, and literary fictions, among others, as well as drama and poetry).

The one edge that narration has over teaching is that I actually interact with the authors whose work I’m voicing. They’re not only alive (usually) but I get to ask them questions about their intentions and vision for their books. This is a hugely enjoyable aspect of the process, and one I just don’t get with my teaching. (I wish I did!)

  In addition to my two careers, my most enjoyable occupation is being a mom to my seven-year-old daughter, and fortunately my narration skills come in handy here too. We’re currently working our way through the Harry Potter series, and we’re planning to start some of my childhood favorites soon, including Frances Hodgson Burnett’s The Secret Garden (which I narrated as a volunteer audiobook project for LibriVox.org – https://librivox.org/the-secret-garden-dramatic-reading-by-burnett-frances-hodgson/). My daughter has recently discovered a passion for performing by taking on some small roles in projects for The Online Stage, a new group recording plays and novels, some of which will be published for free at the Internet Archive, and some which have already appeared on Audible. These overlapping careers mean that I can share my love of books and acting with students, listeners, and my family, and I’m grateful for every minute!

Claire McAdams Photography

Claire McAdams Photography

Elizabeth is an English literature professor by day, and an audiobook narrator by night. She trained as an actor and director at Drew University, and holds a doctorate from the University of Illinois, with expertise in Shakespeare and Renaissance literature. She loves reading (and teaching) fiction, drama, and poetry of all kinds, and particularly delights in creating distinctive voices for literary characters. She is an absolute Anglophile, and has narrated dozens of books in a British accent, despite the fact that she’s originally from New Jersey. Her biggest fan is her seven-year-old daughter, who loves hearing her read aloud, with a reminder to “do the voices, Mommy.” Learn more about Elizabeth here.

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Apr 19, 2016 | Posted by in Uncategorized | Comments Off on Tuesday Takeover: Book Inspired Careers by Elizabeth Klett

Tuesday Takeover: Become an Indie Author and Get Rich Quick! By David Estes (Proud to be an Indie!)

The statement above is a lie, I have to admit. I only used it to get your attention. By rich I really mean relatively poor. And by quick I mean in ten to twenty years if you’re lucky, talented and a hard worker. So why am I being so negative? I’m not really, just being realistic and trying to set the many aspiring Indie writers’ expectations appropriately. Why? Because more and more people are telling me that they wrote a book and self-published in hopes of making some quick cash, becoming a bestseller, and quitting their day job. I’m not here to shatter those dreams, but I do want to put things into perspective. I’m also here to shed a little light on the question: Why is it so hard to get people to buy self-published books? And along with that, hopefully give a few tips on what I’ve done to overcome that challenge. Keep in mind, although my success has been moderate as an Indie author, everyone has a different style and what works for me may not work for you. You have to find your own niche.

Did I have big dreams when I first starting writing and publishing? You betcha! I had “bestseller” bouncing around in my head, dreams of being well known across the industry, of finding a publisher with my first novel, of quitting my job and becoming a career author! Well, three years later I’m a fulltime author, but none of the other dreams have yet to come to pass. But I’m not giving up, because I’ve gained a lot of perspective and really had time to think about why I write in the first place. It’s not for the possibility of riches or of a publishing contract or of book signings or fame or glory…no, it’s simply because I love it! I’d encourage anyone else who’s thinking about writing a book, already writing one, or having already published one, to ask yourself the same question. If your answer is anything other than you love writing, maybe you’re on the wrong track.

So you’ve written and published a book, woohoo! Success! Right? My answer is a resounding YES! You should be extremely happy, writing a novel is challenging and doing so should be considered a HUGE victory. Even if you don’t sell a single copy, you should be proud. If I sell 10 of my books and you only sell 5 of yours, does that mean mine’s better? Maybe, but not necessarily. It simply means I’ve had more success overcoming the stigma that Indie novels have. Namely, that they’re poorly edited crap that isn’t worth the $0.99 or $2.99 or whatever you pay for it. On that note, why is getting people to buy self-published novels so difficult? Here are my thoughts and solutions.

1. Problem: Editing! Everyone finds typos in novels, even big published ones. Some people roll their eyes, some people laugh and joke, others barely notice or ignore it and move on. But most published novels have few, less than a handful in a 300-400 page book. Indie novels, on the other hand, yikes! I’ve read a few that have had in the 50-100 range, sometimes more! That can be excruciatingly painful for a reader. So anytime someone picks up a self-published book somehow, somewhere, begins reading it, and finds tons of typos, there’s a good chance it’ll hurt every Indie author. Because that person’s going to say “Hmm, self-published books are poorly edited. I don’t know if I’ll read anymore.” We all suffer even though you had nothing to do with that book!

Solution: Firstly, edit edit edit…and then edit some more. Have friends read your books and give prizes for finding the most typos. Have friends of friends read them. Hire a professional copyeditor if you can afford it. Read it ten times yourself. Find every last bugger. Do us all a favor and help erase the stigma. Because when someone reads a typo-free self-published novel, they’ll say, “Wow, this had less typos than that big bestselling published book I just read!” And they’ll realize, there’s more out there than just books from the big publishing houses, so much more.

Am I just talking about typos here? Although that’s a huge part, no! There’s so much more to editing. Cleaning up dialogue, reading it out loud, thinking “would someone really say that?” Killing excessive use of adverbs, sentence structure, pacing, the list goes on and on. Edit your book to death until no one can tell it’s a self-published novel. When people start reading your book, they’ll respect you, they’ll appreciate your effort, and they’ll be much more likely to tell other people about it as well as buy your next one.

Secondly, giveaway free copies of your book! I know, I know, you’ve worked so hard and you deserve to be compensated. You just have to bite the bullet on this one. The only way to ensure people will read your book and appreciate all your hard work and your talent and the painstaking time you took to edit your novel, is to force them to read it. And if you offer it for free, it will greatly increase your chances that they will. If you giveaway ebooks it won’t cost you a thing. Maybe they’ll write you a stellar review, maybe they’ll tell a friend, maybe they’ll buy the next one. Every book you giveaway has the potential to result in real sales later on.

2. Problem: The plots of Indie novels don’t make sense! This can definitely be true sometimes. Hell, my first drafts usually have all kinds of problems! Unfortunately, many times the bugs don’t get worked out, because, well, us Indies don’t have a team of eagle-eyed editors to point out the flaws in our stories. But that’s no excuse, because it’s killing our ability to be taken seriously in the industry.

Solution: Use beta readers. Not just anyone, good ones! People you don’t know, or don’t know well. Honest people. People who would rather make you cry than let you publish something that’s not as good as it can be. People who care about your books being awesome. You can have family and friends beta read for you, but they can’t be your only beta readers, because it’s much less likely they’ll be completely honest with you. I recommend having at least ten people, but even five can make a huge difference if they’re very critical and brutally honest. I say ten because I’ve had an instance when my first nine betas had already checked in, I’d rewritten and addressed their comments, and I was just waiting on that tenth reader as a formality. To check the box and say “Yep, I got all your comments covered because the other nine said the same thing!” Guess what? That tenth person saw something that the other nine didn’t see. Something big. Something HUGE. Something that improved the story and set the plot on a path that I never would have planned, that made the series a million, zillion times better! Everyone sees different things, so take every opinion seriously.

3. Problem: There are too many Indies out there! How do I stand out? With the creation of ereaders and ebooks, self-publishing has never been easier. In less than an hour, I could create a book that contains just my name spelled backwards and forwards over and over again, publish it in print and ebook, and make it available worldwide. I swear half the people I see joining the YA book groups I’m a member of on Goodreads are new or aspiring Indie authors. I think it’s fantastic! But at the same time, it makes it hard to get noticed. This is a real problem for serious Indies looking to make a career out of writing.

Solution: Don’t be just another Indie author hawking their wares on the street. If there’s one thing I’ve learned is that NO ONE is impressed by Indie authors spamming message boards with rubbish about their books. Become a valuable part of the book community as a READER, not a writer. Show people you care about books, writing yeah, reading more, but NOT SELLING. People will notice and they will respect you, and they might give your books a shot. But if not, who cares? You might make a new lifelong friend in the process.

Don’t compare your books to other bestsellers! Your book might be a cross between The Hunger Games and Lord of the Rings, but don’t say that, please! It’s arrogant and annoying and the few people that fall for it and read your book will hate you for it if they disagree with your bold statement. Just be you! Unique.

The advice from the first point stands here too. If you write well-edited books and giveaway lots of free copies, you’ll start to get noticed, even amongst the crowds.

Be patient! Those who are trying to make quick money will realize how hard and competitive the publishing industry really is and they’ll give up, but if you’re serious and you keep working at it, publishing more and more books, growing your readership slowly over time, you’ll outlast the others. I’m not talking days or months here, I’m talking years. You have to be in it for the long run, looking at success ten years down the road. Every step you take today is a step in the right direction.

4. Problem: Indies can’t handle bad reviews! This is an important and often overlooked stigma. Even I worry about reading Indie novels given to me by the authors, because what if I don’t like it? Can I give my honest feedback? Will I hurt their feelings? Will they get pissed off and write me nasty messages? Sometimes it’s easier just to read the bestsellers because the authors don’t give a crap whether I like their book—there are a million other people who do!

Solution: Don’t react or respond to reviews in a negative fashion whatsoever. Many Indies have gotten themselves into a lot of hot water that way, and once you get a reputation for “reviewer bashing” you’ll never recover. If a review is mean or you think it’s unfair, write it off as bad luck that the wrong person got ahold of your book. Never lash out. If you get a review that’s well-written, balanced, and constructive, read that review ten times over, learn from it, improve from it. Your readers will appreciate that more than you throwing a tantrum.

Wow, I fear I’ve run off the virtual page. If you’ve made it this far, I hope you found my thoughts on the challenges of being a self-published author, and some of my proposed solutions, helpful or at least interesting. I wish you all the best in your writing and publishing endeavors, and remember, never give up!

Happy Reading (and Writing)!

David Estes

David Estes

David Estes is the author of more than 20 science fiction and fantasy novels that have received hundreds of thousands of downloads worldwide, including The Moon Dwellers, Fire Country, Slip, Brew, and his new SciFi Pinocchio retelling, Strings. He lives in Hawaii with his inspiring Aussie wife, Adele, rambunctious son, Beau, and naughty cat, Bailey. When he’s not writing, you’ll likely find him at the beach swimming, snorkeling, or reading under an umbrella. You can get FOUR FREE books by signing up for his mailing list on his website: http://davidestesbooks.blogspot.com

Apr 12, 2016 | Posted by in Uncategorized | Comments Off on Tuesday Takeover: Become an Indie Author and Get Rich Quick! By David Estes (Proud to be an Indie!)

Tuesday Takeover: Literary Prejudices by RJ Blain

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From an early age, we’re taught a lot of things. We learn to tie our shoes, we learn to follow the morals of society, and we’re taught to adhere to a certain set of beliefs. What is popular often comes before our personal interest and likes, and literature is no different. We’re taught we should appreciate literature because it’s old or appropriate, not because we enjoy it.

Too often we’re taught to read, not taught to read what we love. Even from an early age, we’re not given many choices in the types of books we can read.

As often as not, our personal interests fall second to the strict standards of our family and society, resulting in children, teens, and eventually adults adhering to the preferences of others. Fashion is a good example of this. We wear what society teaches us is popular, not necessarily what we want to wear. Young girls are encouraged to like the color pink and pursue interests ‘suitable’ for their gender. As early as pre-teens and early teens, clothing is sexualized to conform to society’s standards of popularity. Merchandise from popular franchises, especially within the superhero genre, are skewed heavily for male audiences.

Literature is no different, and it should be. This trend is most obvious when it comes to the interests of the young, highlighted by novels like Twilight and Fifty Shades of Gray. Women are scorned for having interest in these types of books. Men, young or old, are discouraged from having any interest in the romance genre at all. Perceptions of a story’s intended audience often result in the culture of interest shaming.

Twilight has become a showcase novel of this syndrome, with lovers of this book often facing the scorn and ridicule from others, particularly among those who consider themselves more literate. This problem is present in every genre of fiction, resulting in alienating potential readers, which in turn harms everyone.

This is a problem, especially in fantasy and science fiction genres, which heavily rely on people thinking outside of society’s norms. While certain elements of the science fiction and fantasy genres have become mainstream, many still have a negative reputation, particularly paranormal romance. Other targeted sub-genres include shifter fiction, vampire fiction, and many types of space opera.

These genres of fiction have a unique quality; they attract new, young readers, which is why readers should consider putting aside their prejudices to recommend these titles to the young audiences beginning to explore fiction as a viable source of entertainment.

While many readers may not consider Twilight, Harry Potter, Percy Jackson, and similar books to be good fiction, they share one important advantage: they capture the imagination.

Unfortunately, too many learning to read for enjoyment are being scorned for their interests. The only message this sends is that they are not allowed to love the books they enjoyed and that their interests do not matter.

Literary prejudices hurt us all, restrict the type of literature written and released to the market, and prevent people from feeling comfortable trying a new story or genre from fear of being scorned for their interests.

Change begins with each and every one of us. Instead of scorning those who enjoy a book you don’t like, embrace them and their interests. Encourage them to read, even if you don’t find their type of book to your liking. When you review, if you think you’re just not the right audience for the title, say who you think is the audience, without prejudice.

It’s okay to dislike a book, and it should be okay to love a book, too.

Many of us love books. I, for one, would rather recommend a book I hate to someone who will love it. They’ll be reading, and that’s the most important thing of all.

RJ Blain - Author Photo

RJ Blain suffers from a Moleskine journal obsession, a pen fixation, and a terrible tendency to pun without warning.

When she isn’t playing pretend, she likes to think she’s a cartographer and a sumi-e painter. In reality, she herds cats and a husband, and obeys the commands of Tsu Dhi, the great warrior fish.

In her spare time, she daydreams about being a spy. Should that fail, her contingency plan involves tying her best of enemies to spinning wheels and quoting James Bond villains until she is satisfied. Discover Blain’s books here.

Apr 4, 2016 | Posted by in Uncategorized | Comments Off on Tuesday Takeover: Literary Prejudices by RJ Blain

Tuesday Takeover: Why we love Zombies by Lindsey Winsemius

Do you love Zombies? Where do you think your captivation with the undead comes from?

Love them or hate them, we’ve all seen the explosion of Zombie pop culture, from literature, film, and television to university classes and themed events. I’ve talked a little bit previously about why we love dystopian themes [http://www.lindseywinsemius.com/blog/7-reasons-we-love-dystopian-books].

Now let’s explore our fascination with the undead.

The general zombie concept has Haitian origins, the term nzambi, referring to someone’s “soul.” It is believed that people who die unnatural deaths (such as murder) have souls that are vulnerable to being snatched by sorcerers and locked in a bottle, allowing the sorcerer to use their undead body.

Hatians were pre-occupied with this concept because of the prevalence of slavery throughout Africa; having one’s soul enslaved after death was the final horror. Where does our modern interest in Zombies stem from?

Here are several reasons suggested by researchers of the subject.

6 Reasons we love Zombies

According to the experts.

1. Zombies help us understand and deal with current societal issues.

“You can’t shoot the financial meltdown in the head — you can do that with a zombie.” Max Brooks, World War Z Author

Just like I talked about our love of dysptopian stems from the very dystopian world in which we live now, our fascination with Zombies is a way to deal with the societal wrongs of today. We feel helpless in the face of global warming, crazy politicians, and threats of terrorism. But a Zombie apocalypse? Grab your shotgun and some of the free stuff all the other dead people have left behind, and you’re going to change the world one dead un-dead at a time.

2. Zombies will punish the bad guys

The apocalypse is one way to find justice in a world that is sadly lacking. Imagining our enemies being overrun by Zombies can be a safe yet satisfying way to feel like the scales will eventually be balanced. Think of the many times in Zombie lore in which the bad guy (because naturally Zombies are not bad enough) gets his or her comeuppance in a delightfully horrific way. Or consider the guy at work who never really works, and everyone else is carrying the team. He obviously isn’t going to survive in a Zombie apocalypse, and won’t it be satisfying to know his laziness is finally going to bite him in the ass (possibly quite literally)?

Even if it might be a little uncomfortable to think in these terms, subconsciously we all want justice. Imagining a more equal society where people who work hard will survive, and the underserving are turned into the undead that we can then deal with accordingly can be quite satisfying.

3. Zombies give us an outlet for our aggression

Not only does the Zombie apocalypse allow us to imagine a world in which the base of humanity is being punished for its wrongs, it also lets us celebrate the highly militarized media culture in which we live. We don’t have to feel bad about imagining taking a machete to everyone around us, when everyone around us is trying to devour our flesh.

As depicted in the popularity of first-person shooter games like Call of Duty: Black Ops, killing Zombies is a completely acceptable way to play out aggression and embrace the shoot ‘em up nature of our society.

4. Zombies level the playing field.

Wouldn’t it be nice to have a blank slate society where anyone can be a hero? Where success is completely dependent on our survival skills?

“People are still afraid of dying, getting sick, of social infrastructures falling apart. The collective nightmare. And it poses the question of, ‘What would you do? Would you survive?’ It plays out this great survival narrative.” Professor Kyle Bishop

Many professors feel that the idea of the Zombie apocalypse is so appealing because it levels the playing field for many of us. Presidents and the poverty-stricken can become equals in this scenario, allowing anyone with some concept of self-preservation, and perhaps a firearm, to survive and flourish.

5. Zombies give us a way to handle our fears.

“The West African version of the zombie didn’t eat brains — they weren’t scary in the same way our zombies are scary. They were a symbol for fear of enslavement under French colonial rule. People weren’t afraid of them, but of becoming a zombie and losing control. So the original zombie reflects the fears of the society in which it was created. The zombie becomes a window into ourselves.” Professor Kelly Murphy

What Murphy says is most interesting is how the zombie apocalypse shows that people shouldn’t necessarily be afraid of the zombies they are running from, but of other humans. Zombies become the background material. The real question — and this is something that has become prevalent in many zombie television shows and flicks — is, “Can you trust the other people that you meet along the way while trying to survive?”; and if you can’t, then what does that say about humanity? “Even if we haven’t turned into the monster, the zombie is a reflection of how we ourselves become the monster.”

Humanity is full of monsters hidden beneath a veneer of civility. Wouldn’t it be wonderful is every jerk out there who wouldn’t hesitate to back stab you looked like a half dead corpse, instead of your next door neighbor? Not only would they be much easier to recognize the evil in the world around us, we could actually do something about it. Like shoot them in their undead brain. This gives us a much more satisfying way to deal with the real monsters around us, and feel as if we could possibly have some control over them.

Consider the popular game and movie series Resident Evil. The real evil in the movie is not the army of reanimated dead taking over the world, but the Umbrella Corporation whose greed has resulted in the apocalypse. If that isn’t a metaphor for the direction of our current societal issues, I don’t know what is.

6. Zombie vs other apocalypse: More control of survival.

Zombies give us something to fight. You can’t fight a deadly virus, a natural disaster, or even a nuclear fallout. But you can fight Zombies. The Zombie apocalypse is one we are more likely to survive if we use our wits, band together, and find an abandoned prison full of old rations and ammo.

That is the appeal of the Zombie apocalypse scenario over other suggest end-of-the-world scenes. We all feel as if we’d be the few who would survive (except me, I’m absolutely certain I’d be turned into a moaning undead within the first five minutes) and be able to use our blank slate society to start fresh. We’d live in the World War Z world, after the war had ended (I’m talking about the novel, not the movie). The world being rebuilt by the strong, by the brave, by the survivors.

Do you love Zombies? What do you think is most fascinating about the idea of a Zombie apocalypse?

 

Lindsey

About Lindsey Winsemius

Lindsey is an author and marketer living in Grand Haven, Michigan with her husband and two young children. When she’s not imagining different apocalyptic scenarios, she writes romantic suspense and dystopian novels. You can connect with her on Amazon, Facebook, or her website.

 

Sources: http://mashable.com/2015/03/12/zombie-obsession/#.FsvOJ4wpkq5

http://www.popmythology.com/why-people-love-the-zombie-apocalypse/

http://www.socraticmethod.net/essays/zombies/page2.htm

http://www.umich.edu/~uncanny/zombies.html

Mar 29, 2016 | Posted by in Uncategorized | Comments Off on Tuesday Takeover: Why we love Zombies by Lindsey Winsemius

God’s Little Monster – Cover Reveal

It took me approximately two weeks to write Ren: The Man Behind the Monster.

Sixty-Five thousand words burst out of me like fireworks on a hot Texas July 4th.

The audio producer was landed and the entire audiobook produced in less than a week.

The cover was created in ten days, which is half the normal time it typically takes.

And the cover for God’s Little Monster, the second in the series, took days. Like three or four.

Ren’s  book trailer was completed in less than thirty minutes and can be found here.

Here’s what I’m getting at: Everything to do with Ren is easy. I’ve said it to my beta readers. They’ve bowed to the grace that accompanies his novels.

I’m not bragging. I’m wondering. I’m constantly wondering about this man who appeared in my head on a sunny May day. I didn’t know where he came from and still I wrote down his dialogue and I haven’t stopped. One of my besties tells me he’s my alter ego. That’s what I’ve come to accept. But how’s that the case? I’m a middle aged, snarky Brit? I’m  actually a writer on the west coast. Who is Ren and how does everything “Ren” happen so easily? I’m not looking for answers. I’m postulating.

I start the third book in the series tomorrow. And I wonder… will it be easy peasey, as Ren would say. Or because I know this will probably be the last book he appears in, will it be like a funeral: long and seemingly unending. Can I truly say goodbye to this man ? I really don’t know. Only the pages will tell. I’m off to write…and tell futures. Mine and his. And here’s the cover for the second book in the Ren series. Who is this woman? And what power does she hold over Ren?

Blank bookcover with clipping path

Mar 28, 2016 | Posted by in Uncategorized | Comments Off on God’s Little Monster – Cover Reveal