My Favorite Middle Child

SN_PARALYZED

I always knew there would be three of you. A first, a second and a third. Some call it family planning. I call it a complete series.

And I knew you were going to be unique as an installment. Second children are usually less anticipated than the first. They are less doted on than the third. But they are the glue that holds it all together. Without you there would be no middle. There would be a setup and an ending. But you, my sweet second book in a series, you created the depth. It wasn’t until I created you that I truly fell in love with those characters. Like I somersaulted, head over feet and knew that this was a series that would live in me for the rest of my life. That’s because of you.

My little middle child in a badass epic series, you did something that was unique.  You individuated yourself from the first and the third. You’re not only different in your arrangement than your siblings, but you’re wrapped in a cover that represents your mystery. I love you in a way I’ve never loved a middle book. Please don’t tell the others, Stunned and Rebels. They might get their feelings hurt. It’s just that you came into my life and did something really strange. Usually I love a book and therefore choose to write it. I love characters and choose to tell their story. I remember sitting down and writing you and in the process you rewrote me. You made me fall in love with you.

Order Paralyzed today to find out what this mess is all about. Start the series here.  And preorder the final book, Released.

Feb 14, 2016 | Posted by in Uncategorized | Comments Off on My Favorite Middle Child

Cover Reveal: Released (Vagabond Circus, #3)

I feel for the people in my life. I’m demanding, stubborn, and have unrealistic expectations. And yet, the people I work with don’t disappoint me. It amazes me sometimes. As an author, I really work with fantastic professionals. And often I’ve praised Andrei Bat, my cover designer, for his work. He deserves it. And after designing ten covers for me, he might need therapy. But still he should be proud. Here’s what I sent him when we started work on the final cover for Vagabond Circus series.

Capture - Released

Yes, I know. It’s pretty awful. That’s why I’m a writer. The world would be full of stick figures if I had become an artist. Andrei is the artist and I believe he’s created one of the best covers yet for me. It definitely captures the magic of Vagabond Circus. Without further ado, I’ll reveal Released for you. Preorder here.

ebook - Released

Feb 10, 2016 | Posted by in Uncategorized | Comments Off on Cover Reveal: Released (Vagabond Circus, #3)

Tuesday Takeover: What Ever Happened to Happy Science Fiction? by J.N. Chaney

JN photo - blog

Anyone who goes to the movies or reads any science fiction is probably familiar with at least one dark dystopian story. Whether or not your selection includes The Hunger Games, I Am Legend, or Wool is besides the point. You’ve probably been exposed to the genre, which means you’re at least partially familiar with the state of modern sci-fi.

I say “modern” because the truth is that science fiction hasn’t always been this depressing. Seventy years ago you’d be hard pressed to find anything as dark or engrossing as Ender’s Game, Dune, or Old Man’s War. That’s not to say that those types of books didn’t exist, but they were extremely rare. Many science fiction stories chose to focus on the science rather than the fiction, putting aside the characterizations and story elements in favor of a single idea. War of the Worlds (1989) focused entirely on an invasion from Mars, but it didn’t even bother to name its characters, including its narrator. We never know anyone’s backstory, who they are, or anything truly significant about them. If the Tom Cruise adaptation had actually been faithful to the original book, Cruise would’ve only appeared for a handful of scenes. But that’s how it was back then–science fiction was a different kind of beast.

In other words, the science and the idea were the real characters, not Joe Whatshisname, who was really only there to give exposition like a walking wikipedia article and press the imaginary buttons on the big “what if” machine. Those aren’t necessarily bad things to do, but they don’t exactly make for accessible character literature. The Time Machine was great, but when your protagonist doesn’t even have a name, it can be a little difficult for modern audiences to relate to him.

Science fiction has changed, but only because it started trying to balance both the characters and the “big idea”. To understand this change, you have to remember where our society was and where it is today. Ever since the bombs fell on Japan, most people have come to appreciate the potential horrors of technology. When scientific discovery can lead to an entire metropolitan city getting wiped off the face of the Earth in a single heartbeat, suddenly everyone’s optimism goes down the drain. Don’t even get me started on the perpetual state of fear and anxiety that arose because of the Cold War. Throughout the last several decades, our culture has become obsessed with the apocalypse. Every other day there’s some religious figure telling us the end is near. Our global media has allowed us to hear and know about every little skirmish taking place on the other side of the globe, in regions we previously would never have heard about. We look on with utter fascination, absorbing it all. It’s only natural for our culture’s literature to reflect this newfound obsession. We just can’t help ourselves.

This isn’t exactly new. People have been predicting the end of the world for thousands of years. The difference is that now we actually have a reason to talk about it, because we have the means with which to make it happen. Look at what famed dark satirist and science fiction writer Kurt Vonnegut said back in 1970:

“I thought scientists were going to find out exactly how everything worked, and then make it work better. I fully expected that by the time I was twenty-one, some scientist, maybe my brother, would have taken a color photograph of God Almighty — and sold it to Popular Mechanics magazine. Scientific truth was going to make us so happy and comfortable. What actually happened when I was twenty-one was that we dropped scientific truth on Hiroshima.”

Why is it like this? Why would we rather hear about the world blowing up than about a utopia where people are so happy they piss glitter? It all boils down to how we feel in the moment. Science fiction is a reflection of today, not tomorrow. It’s about how our culture is right now and how the person writing that story views it. If the world looks like it sucks and everything’s gone to shit, you aren’t going to see as many happy stories of Captain Spaceheart running through the cosmos saving space princesses and battling space monkeys. These people are writing stories about the future, but that future is only an extension of today, and if today isn’t turning out so well, then neither will tomorrow.

J. N. Chaney has a Master’s of Fine Arts in Creative Writing and is the author of the Amber Project. You can get J.N. Chaney’s very own dystopian science fiction novel absolutely free by going to the following link: http://jnchaney.com/stay-up-to-date/

JN Chaney

Feb 9, 2016 | Posted by in Uncategorized | Comments Off on Tuesday Takeover: What Ever Happened to Happy Science Fiction? by J.N. Chaney

Why I Write. Reason #3.

b1a8cd29e85772ec763bc4ea43125c69There’s many reasons I write. Most make me certifiably crazy.

“I hear voices.” “The people in my head won’t shut up.” “I can’t sleep because of the babbling in my mind.”

*Snap. Snap*

Ignore what I just wrote and focus. I have other reasons besides the voices for writing. Let’s talk about #3 today.

It was because I was lost. I was lonely. I had an infant who wouldn’t sleep. I’d just moved to a new state, a new scary (not really) area. And I wanted a way to make sense of my life.

So I started writing my first novel (well, sort of. Not really first, or second…but first finished). And this is why I kept writing this book and many more: because I felt good when I wrote. No matter what was going on in my life, I had that book and those characters. They didn’t get me, because they didn’t know me. But I got them. I was connected to them. I was a part of something that made sense to me when my life didn’t make sense. It was imaginary, and the people unreal, but it made me feel alive.

And so, again, I’m here bearing my heart for the internet to judge, but I’ll say it. I show up every day for my books. And I do that for the sole reason that they show up for me. No matter what’s happening in my life, I can turn to those pages and find a place to connect. I guess you can say I like living in an imaginary world. Sue me. I’m a dreamer.

Feb 4, 2016 | Posted by in Uncategorized | Comments Off on Why I Write. Reason #3.

Tuesday Takeover: MELISA’S QUESTION by Ben Starling

Have you ever felt a subtle pressure, heard a distant voice that undermines your Western rational-scientific upbringing? Ever had powerful dreams, fortuitous timings, Jungian synchronicities, or precognition? Maybe you experienced “the zone”, been surprised by tarot, or had some other extraordinary other-worldly experience? All my life, I have. And I ignored them.

I’ve lived my life aware of, but not consciously acknowledging that something different was going on. That was until three years ago. When everything changed.

~ ~ ~

There was something in Melisa’s voice I hadn’t heard before. It was usually so calm, but today the calmness sounded forced. Why had she missed yesterday’s Skype? And why was the video turned off? Whatever her secret, it was a big one.

Three thousand miles separated us, but that would change soon. She was getting ready to leave Canada for her favorite city in the world, London. And in a few weeks, I’d be moving into a new apartment there too. One that would suit us perfectly as we started our new life together.

“Is everything alright?” I asked.

“I—I’m sick. Very sick.”

When the flight landed, I made my way to the hospital in a quaint town on Lake Ontario’s sparkling shore. I pushed through the doors and a series of sterile corridors that led to Palliative Care, unrolled before me. There the voices were hushed and the nurses kind. The doctor spoke so quietly that I asked him to repeat what he’d said. I’d only heard something about “as little as eight weeks.” Or maybe he was shouting, and I just didn’t want to hear.

Melisa and I talked a lot; we sat in silence too, which was, at first, worse. One morning, after the doctor had upped her pain killer to something a hundred times stronger than morphine, she’d asked a question I’ll never forget. A question she came to repeat most days.  That evening, I pushed her wheelchair to a sunspot in the hospital garden. She commented that the butterflies were magnificent this year. The flowers too. Then, turning to me, she asked if I thought anyone knew the answer to her question. Or ever would. I smiled because it was just the sort of thing she liked to think about.

Every day, a little more of her slipped away. She made me promise I wouldn’t be sad. I must find someone else…get on with my life…but she hoped I wouldn’t forget her. Then she asked me to angle her bed so she could look out the window. I wondered why, as the sky looked moody that evening. Maybe she missed the colourful birds that had argued over the peanuts in the feeder earlier that day.

Moments later, the thundery clouds rolled apart and the sun bathed the hospital—her room—us—in soothing beams of silver.

“I asked for a sign,” she explained. “A sign everything would be alright.” Closing her eyes, she sighed deeply. Then she whispered her question again.

“What happens to love when we die?”

Melisa was sedated more now, and she was rarely able to talk. She had begun sleeping most of each day. One morning, the nurse told me they’d heard voices in her room. When they’d entered, she was alone. She’d told them she’d been talking to Archangel Michael. Days later, in a rare waking moment, she’d stared between the nurses tending her and said, “You’re very beautiful.” They asked who she was referring to, and she’d been surprised that they couldn’t see the angel at the end of the bed. When I felt my voice wouldn’t betray me, I asked the nurse if she’d heard of this sort of thing before. She’d said it wasn’t uncommon. Especially for spiritual people.

Twelve noon is a strange time to be overwhelmed by tiredness. But that Monday, I lay down and fell asleep instantly. I dreamed I’d ridden a motorbike up a long gravel drive to a white mansion that I wasn’t meant to enter. Standing outside, I lifted a letter from the saddle bag. The words “Death Certificate” were written on the envelope. I hesitated, wondering if I should open it; before I decided, a ringing phone woke me. It was the hospital. Melisa was gone.

Melisa’s question stayed with me. When, after many months, the numbness began to lift and I was trying to make sense of, well, everything, I cast my mind back to a conversation I’d had years earlier with a Polynesian fisherman. He’d described his vision of the afterlife.

Soon afterwards, I encountered an old school friend, whose mission is to educate people about the plight of the oceans in general and whales in particular. He challenged me to write a book that was powerful, different—that above all, offered hope. So I began to tie together the many strands I was thinking about. I was, if you like, finally acknowledging the subtle pressure; I was listening to the distant voice.

Something in the Water is the result, and it’s dedicated to Melisa. Surprisingly, it wasn’t hard to write. 115,000 words without writer’s block is, I’m told, most unusual. Impossible, even. But what do we really know about the impossible?

What I do know is that while it’s a work of fiction, it’s also the product of observation, research and conviction. It explores love and interconnectedness, death too.  

As the pieces fell into place, it helped me see a silver lining. I hope it also helps anyone who has lost a loved one.

Back to Melisa’s question: What happens to love after death? I hope that Something in the Water goes some way towards providing an answer.

An answer that she, of course, already knows.

What do you think happens to love after we die?

Ben Starling is passionate about marine conservation and boxing, both central themes in his novels. His interest in marine life has taken him across three continents over the past three decades. Starling is the author of two Romance novels, Something in the Air and Something in the Water. Get his first book free here.

www.amazon.com/author/benstarling
www.ben-starling.com

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Feb 1, 2016 | Posted by in Uncategorized | 1 comment