Tuesday Takeover: 10 Lessons Writing Zombie Books Taught Me by Kate L. Mary

I’ve written seven zombie books, one book of short stories to go along with it, and a post-apocalyptic book that deals with the aftermath of an alien invasion, and through it all I’ve learned several valuable lessons. Not just about the world we live in, but about myself and people in general. I think, on some small scale, it will actually give me a little bit of an edge when the inevitable zombie apocalypse hits. And since I’m a nice person, I wanted to share those lessons with everyone else.

1. Electricity Won’t Last As Long As You Think
Did you know that power plants need constant monitoring? I didn’t. Sure, I knew someone was probably always there to keep an eye on things, just in case, but I didn’t realize how vital it was to have a living, human being there at all times. Which means that when a killer zombie virus sweeps the country and takes out most of the population, it won’t be long before the power will go out. In some cases, it could take as little as 2-4 hours. Yes, there are scenarios where the power won’t shut off quite as fast, but the apocalyptic novels we read that have survivors using electricity for weeks after the human race has disappeared are totally far-fetched. So be prepared and stock up on batteries, flashlights, lanterns, and matches!

2. Fuel Expires
I know what you’re thinking: What?! No!!!!
I mean, it makes total sense now that I think about it, but it wasn’t something I ever really sat down and thought about. Gas isn’t food, so why would it go bad? It does, though. The shelf life depends on how it’s stored and the kind of fuel it is, but it won’t last forever. So when the zombies pop up, be sure to use your gas while it’s still good! Saving it for a rainy day may end up being a waste.

3. People Are Bad
Sounds obvious, and a little cynical, but let me explain what I mean using my kids as an example. When I tell my son he can’t have a cookie, the only thing stopping him from getting one anyway is the threat of getting caught and having to sit in time out. Adults are no different, really. Many people have desires they keep hidden because they know it will get them sent to prison, or ostracized by family and friends, but during the apocalypse there won’t be anyone to slap them on the hand as they reach into the cookie jar. The world will be their cookie jar, which means they’ll do whatever they want.
Of course I’ve always known this about mankind, but until I wrote a book that left men to their own devices, I hadn’t really allowed myself to think about just how dark things could get. Now I have, and I realize that when the end comes, there are very few people you are really going to be able to trust.

4. Cell Phones Won’t Work
That goes for the Internet and email too.
This I also knew, but the affect of it hit hard as I was researching and trying to move my characters into a place where they’d adjusted to a world with no technology. I know that sometimes in zombie novels characters will email or text each other from across the country, but this just isn’t a realistic scenario. With most of the population gone there will be no one left to keep tabs on the cellular stations, and no electricity to keep those stations going on their own. Meaning your phone will be useless.

5. Aerosol Cans And Propane Tanks Can Save Your Life
We all know aerosol cans are pressurized and usually hold flammable liquid, and propane tanks have big warning labels on them telling us the same thing. But it never occurred to me how useful these common, household items might come in handy if you’re in a pinch.
Pretend someone you love is stuck somewhere, surrounded by zombies, and the only way you’ll be able to save them is by drawing the dead away? Well, why not grab a few aerosol cans and a propane tank, and start a fire in a house down the street. When they explode, it could be just enough to draw the zombies away, giving your group a chance to escape.

6. Alcohol Has A Million Uses
When you’re loading up on supplies during the apocalypse, don’t forget to grab plenty of alcohol, 70 proof or higher. Not only can it alleviate boredom—although getting drunk can be risky when you never know what’s lurking in the shadows—it can be used to sterilize, sooth itching from bug bites and poison ivy, start fires, and dozens of more uses.

7. Car Alarms Are Perfect For Distracting Zombies
The best way to distract zombies is to create noise somewhere else, right? How about banging into the sides of a few cars so you can set off an alarm? The annoyingly shrill whine of a car alarm is guaranteed to keep the rotting monsters distracted, giving you the chance to escape.

8. Always Carry A Pack Of Gum And Some Batteries
Did you know you could start a fire with a gum wrapper—the foil kind—and a battery? Look it up on YouTube, because it’s real! Plus that gum will help keep your breath fresh when you’re on the run. Who knows how often you’ll be able to brush and floss during the apocalypse?

9. People Under Thirty Are Screwed
It sounds mean, but it’s true. They’re the generation who don’t know how to use an atlas or find a book in the library. Everything they’ve ever needed has fit in the palm of their hands, and any question they ever have is answered with a Google search. For them, the disappearance of technology will be even more devastating than the virus that wiped it all out.

10. The United States Will Cope Better Than The Rest of The World
We love our processed food, don’t we? It’s made us obese, shortened our lifespan, and threatened the lives of our children. But it will save us when the apocalypse hits. When all the fresh food in other countries has gone bad, we will literally have warehouses full of boxed, canned, processed, and dehydrated food to keep us going!

So, what do you think? Am I ready to survive the apocalypse? Are you?

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Kate L. Mary is an award-winning author of New Adult and Young Adult fiction, ranging from Post-apocalyptic tales of the undead to Speculative Fiction and Contemporary Romance. Her YA book, When We Were Human, was the 2015 Moonbeam Children’s Book Award Silver Medalist for Young Adult Fantasy/Sci-Fi Fiction and her Broken World series has been an Amazon best-seller since the release of book one in 2014.
Mary Kate
May 3, 2016 | Posted by in Uncategorized | Comments Off on Tuesday Takeover: 10 Lessons Writing Zombie Books Taught Me by Kate L. Mary

Tuesday Takeover: How authors choose their characters by Kyle Perkins

First of all, I would like to start off by saying that I am no expert on the matter and this is not so much a guide to creating characters, as it is my own personal experiences.

A little bit of backstory on me, I never actually aspired to be an author. I was more into gaming my entire life, and I joined a text based role playing group centered around some of my favorite games. From there, I learned everything you SHOULDN’T do with a character, as well as things people really respond well to. When you filter through dozens of characters a day, and read their stories, and actively participate with them, you learn who is universally hated and who is loved. That being said…

Never make your characters invincible. They need to be roughed up a bit. This is what is known as “God Modding” in the community and it is hated more than anything else. No one is interested in characters that can pull abilities out of thin air to get past an obstacle. We look at that as cheating, and so do readers. Instead, use what you have at your disposal in your character’s history. Make it fun, unexpected and exciting to read.

What I like to do is make a character sheet for all of my characters. It’s a basic bio full of their stats and history. So, if I need to know how tall my guy/girl is, I have it. If I need to know what special abilities he/she possesses, I have it. It details their personal story for me, so that if I ever need to get out of a situation I put myself in, I can refer back to the character sheet to decide how I could get it done, based on the character.

People want characters that are down to Earth and relatable. Think back to any TV show, book, or movie you really enjoyed. Chances are, the reason you enjoyed it was due to a character or two you really liked. The reason you like them is because you can relate. You see aspects of yourself in them. How many times when you were little did you say “I’m Leonardo!” or “I’m Optimus Prime,” Chances are a ton. You liked those characters and emulated them because you liked their personalities. Even as an adult I am sure people have said, “This character soooo reminds me of you,” and you liked them based on that alone without even seeing the character. That is what makes a character well rounded. All of your favorite characters are relatable and have flaws, because in real life, we all do too.

Another thing to watch out for is making your character too “edgy.” Which is defined as “Taking coolness to its extreme and generally beyond the realm of actual possibility, while at the same time seemingly unaware of how ridiculous it is.” Your character of course can be cool and funny, but when it imposes on reality and becomes farfetched, again, you have a problem with your reader finding them relatable. For instance, if your guy speaks in cool one liners, dresses in all black all the time, has armor on and carries around a samurai sword in Manhattan, chances are he is a bit too edgy.

When a reader reads your story, the most important thing you can do for them, is make it as easy as possible for them to put themselves in your character’s shoes. Otherwise, they lose interest. Making a character relatable will actually keep a reader reading in a genre they wouldn’t normally seek out, just BECUASE they can relate to it. Let’s face it, we all want to be the star of our own movies in our mind.

Now, I am not above any of this. When I started out roleplaying, I had the edgiest characters around, because it’s a game and you typically go out of your way to win games. When people stopped wanting to play with me, I sought out answers as to why. That’s when I learned it was more about a mutual story than winning, and when you make a great, relatable story, everyone wins.

So, in closing, make your characters relatable, down to Earth, flawed and realistic. If you follow those four things, it won’t matter what genre you write in, because people will keep coming back for more.

Kyel

It was only recently that Kyle Perkins discovered his love of putting his imaginative daydreams in writing for others to enjoy. He founded and managed some of the largest text-based roleplaying groups on Facebook, which sparked his passion for storytelling and helped him sharpen his skills as an author. Since the January 2016 release of his debut dystopian novel, Reddened Wasteland, Kyle has published three other works with plans to release several more in the upcoming months, including the second installment of the Reddened Wasteland series. He’s a dog person, an Aquarius, and he lives in Florida, though he’ll tell you he lives on the internet.

Facebook ~ Amazon

Apr 26, 2016 | Posted by in Uncategorized | 1 comment

Five Books Free

Group sale

Do you love dystopian, horror, romance, sci-fi, or thrillers? Well today is your lucky day. I happen to have four friends and we all have books free today. In five different genres. All great. All free. All ready for you to download.

You. Are. Welcome.  Grab below.

They’re listed by title, author and genre. And feel free to share with your friends. Everyone is sure to find something they love here.

Brackett Hollister: The Werewolf Pack, Quentin Wallace, Horror

More Than Scars, Sarah Brocious, Romance

The Amber Project, J.N. Chaney, Sci-Fi Dystopian

Take One With You, Oak Anderson, Thriller

Defects, Sarah Noffke, YA Dystopian

 

 

Apr 21, 2016 | Posted by in Uncategorized | Comments Off on Five Books Free

Tuesday Takeover: Book Inspired Careers by Elizabeth Klett

I have two jobs that I love: literature professor and audiobook narrator. Both, of course, are centrally connected to my abiding love of books. And both grew out of my undergraduate experience as a double major in English and Theatre Arts. At the same time that I was learning to read, write about, and love literature of all kinds, I was learning how to become an actor. I never thought back then that I would be able to incorporate all of that training into my everyday life through this dual career.

On the surface, my two jobs probably seem pretty different from each other. And in some ways that’s true. My “day” job means that I teach a pretty wide variety of undergraduate and graduate classes, from surveys of British literature and introductions to literary studies, to courses on Shakespeare (my particular interest), Jane Austen, fairy tales, and African-American women writers. I’m lucky to have a job that allows me to teach both in and out of my field of expertise. I also have to do a fair amount of my own writing; I’ve published an academic book and am currently working on a second one, and am constantly writing shorter essays as well. (This takes forever, incidentally; academic writing and publishing moves verrrrryyyyy sloooowwwwly. I’m sure Sarah will have written and published a dozen books by the time my next one is finished!) Audiobook narration, on the other hand, is purely creative, engaging my voice and mind in the service of someone else’s writing. As a narrator, I want to make the listening experience as enjoyable as possible, while also realizing the author’s vision.

Despite these differences, I think both of my jobs draw on many similar skills. At root, both teaching and narrating mean that I read books, think about what they mean, and try to communicate that meaning to others. Yes, teaching means discussing those meanings with a room full of students, and narrating means sending the book out into the world for listeners to engage with. But at root I think they’re actually pretty similar. In both my jobs I get to share my love of literature with other people and celebrate the endless creative possibilities of various literary genres (I’ve narrated and taught romance, dystopian, SFF, YA, horror, action, military, historical, and literary fictions, among others, as well as drama and poetry).

The one edge that narration has over teaching is that I actually interact with the authors whose work I’m voicing. They’re not only alive (usually) but I get to ask them questions about their intentions and vision for their books. This is a hugely enjoyable aspect of the process, and one I just don’t get with my teaching. (I wish I did!)

  In addition to my two careers, my most enjoyable occupation is being a mom to my seven-year-old daughter, and fortunately my narration skills come in handy here too. We’re currently working our way through the Harry Potter series, and we’re planning to start some of my childhood favorites soon, including Frances Hodgson Burnett’s The Secret Garden (which I narrated as a volunteer audiobook project for LibriVox.org – https://librivox.org/the-secret-garden-dramatic-reading-by-burnett-frances-hodgson/). My daughter has recently discovered a passion for performing by taking on some small roles in projects for The Online Stage, a new group recording plays and novels, some of which will be published for free at the Internet Archive, and some which have already appeared on Audible. These overlapping careers mean that I can share my love of books and acting with students, listeners, and my family, and I’m grateful for every minute!

Claire McAdams Photography

Claire McAdams Photography

Elizabeth is an English literature professor by day, and an audiobook narrator by night. She trained as an actor and director at Drew University, and holds a doctorate from the University of Illinois, with expertise in Shakespeare and Renaissance literature. She loves reading (and teaching) fiction, drama, and poetry of all kinds, and particularly delights in creating distinctive voices for literary characters. She is an absolute Anglophile, and has narrated dozens of books in a British accent, despite the fact that she’s originally from New Jersey. Her biggest fan is her seven-year-old daughter, who loves hearing her read aloud, with a reminder to “do the voices, Mommy.” Learn more about Elizabeth here.

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Apr 19, 2016 | Posted by in Uncategorized | Comments Off on Tuesday Takeover: Book Inspired Careers by Elizabeth Klett

Tuesday Takeover: Become an Indie Author and Get Rich Quick! By David Estes (Proud to be an Indie!)

The statement above is a lie, I have to admit. I only used it to get your attention. By rich I really mean relatively poor. And by quick I mean in ten to twenty years if you’re lucky, talented and a hard worker. So why am I being so negative? I’m not really, just being realistic and trying to set the many aspiring Indie writers’ expectations appropriately. Why? Because more and more people are telling me that they wrote a book and self-published in hopes of making some quick cash, becoming a bestseller, and quitting their day job. I’m not here to shatter those dreams, but I do want to put things into perspective. I’m also here to shed a little light on the question: Why is it so hard to get people to buy self-published books? And along with that, hopefully give a few tips on what I’ve done to overcome that challenge. Keep in mind, although my success has been moderate as an Indie author, everyone has a different style and what works for me may not work for you. You have to find your own niche.

Did I have big dreams when I first starting writing and publishing? You betcha! I had “bestseller” bouncing around in my head, dreams of being well known across the industry, of finding a publisher with my first novel, of quitting my job and becoming a career author! Well, three years later I’m a fulltime author, but none of the other dreams have yet to come to pass. But I’m not giving up, because I’ve gained a lot of perspective and really had time to think about why I write in the first place. It’s not for the possibility of riches or of a publishing contract or of book signings or fame or glory…no, it’s simply because I love it! I’d encourage anyone else who’s thinking about writing a book, already writing one, or having already published one, to ask yourself the same question. If your answer is anything other than you love writing, maybe you’re on the wrong track.

So you’ve written and published a book, woohoo! Success! Right? My answer is a resounding YES! You should be extremely happy, writing a novel is challenging and doing so should be considered a HUGE victory. Even if you don’t sell a single copy, you should be proud. If I sell 10 of my books and you only sell 5 of yours, does that mean mine’s better? Maybe, but not necessarily. It simply means I’ve had more success overcoming the stigma that Indie novels have. Namely, that they’re poorly edited crap that isn’t worth the $0.99 or $2.99 or whatever you pay for it. On that note, why is getting people to buy self-published novels so difficult? Here are my thoughts and solutions.

1. Problem: Editing! Everyone finds typos in novels, even big published ones. Some people roll their eyes, some people laugh and joke, others barely notice or ignore it and move on. But most published novels have few, less than a handful in a 300-400 page book. Indie novels, on the other hand, yikes! I’ve read a few that have had in the 50-100 range, sometimes more! That can be excruciatingly painful for a reader. So anytime someone picks up a self-published book somehow, somewhere, begins reading it, and finds tons of typos, there’s a good chance it’ll hurt every Indie author. Because that person’s going to say “Hmm, self-published books are poorly edited. I don’t know if I’ll read anymore.” We all suffer even though you had nothing to do with that book!

Solution: Firstly, edit edit edit…and then edit some more. Have friends read your books and give prizes for finding the most typos. Have friends of friends read them. Hire a professional copyeditor if you can afford it. Read it ten times yourself. Find every last bugger. Do us all a favor and help erase the stigma. Because when someone reads a typo-free self-published novel, they’ll say, “Wow, this had less typos than that big bestselling published book I just read!” And they’ll realize, there’s more out there than just books from the big publishing houses, so much more.

Am I just talking about typos here? Although that’s a huge part, no! There’s so much more to editing. Cleaning up dialogue, reading it out loud, thinking “would someone really say that?” Killing excessive use of adverbs, sentence structure, pacing, the list goes on and on. Edit your book to death until no one can tell it’s a self-published novel. When people start reading your book, they’ll respect you, they’ll appreciate your effort, and they’ll be much more likely to tell other people about it as well as buy your next one.

Secondly, giveaway free copies of your book! I know, I know, you’ve worked so hard and you deserve to be compensated. You just have to bite the bullet on this one. The only way to ensure people will read your book and appreciate all your hard work and your talent and the painstaking time you took to edit your novel, is to force them to read it. And if you offer it for free, it will greatly increase your chances that they will. If you giveaway ebooks it won’t cost you a thing. Maybe they’ll write you a stellar review, maybe they’ll tell a friend, maybe they’ll buy the next one. Every book you giveaway has the potential to result in real sales later on.

2. Problem: The plots of Indie novels don’t make sense! This can definitely be true sometimes. Hell, my first drafts usually have all kinds of problems! Unfortunately, many times the bugs don’t get worked out, because, well, us Indies don’t have a team of eagle-eyed editors to point out the flaws in our stories. But that’s no excuse, because it’s killing our ability to be taken seriously in the industry.

Solution: Use beta readers. Not just anyone, good ones! People you don’t know, or don’t know well. Honest people. People who would rather make you cry than let you publish something that’s not as good as it can be. People who care about your books being awesome. You can have family and friends beta read for you, but they can’t be your only beta readers, because it’s much less likely they’ll be completely honest with you. I recommend having at least ten people, but even five can make a huge difference if they’re very critical and brutally honest. I say ten because I’ve had an instance when my first nine betas had already checked in, I’d rewritten and addressed their comments, and I was just waiting on that tenth reader as a formality. To check the box and say “Yep, I got all your comments covered because the other nine said the same thing!” Guess what? That tenth person saw something that the other nine didn’t see. Something big. Something HUGE. Something that improved the story and set the plot on a path that I never would have planned, that made the series a million, zillion times better! Everyone sees different things, so take every opinion seriously.

3. Problem: There are too many Indies out there! How do I stand out? With the creation of ereaders and ebooks, self-publishing has never been easier. In less than an hour, I could create a book that contains just my name spelled backwards and forwards over and over again, publish it in print and ebook, and make it available worldwide. I swear half the people I see joining the YA book groups I’m a member of on Goodreads are new or aspiring Indie authors. I think it’s fantastic! But at the same time, it makes it hard to get noticed. This is a real problem for serious Indies looking to make a career out of writing.

Solution: Don’t be just another Indie author hawking their wares on the street. If there’s one thing I’ve learned is that NO ONE is impressed by Indie authors spamming message boards with rubbish about their books. Become a valuable part of the book community as a READER, not a writer. Show people you care about books, writing yeah, reading more, but NOT SELLING. People will notice and they will respect you, and they might give your books a shot. But if not, who cares? You might make a new lifelong friend in the process.

Don’t compare your books to other bestsellers! Your book might be a cross between The Hunger Games and Lord of the Rings, but don’t say that, please! It’s arrogant and annoying and the few people that fall for it and read your book will hate you for it if they disagree with your bold statement. Just be you! Unique.

The advice from the first point stands here too. If you write well-edited books and giveaway lots of free copies, you’ll start to get noticed, even amongst the crowds.

Be patient! Those who are trying to make quick money will realize how hard and competitive the publishing industry really is and they’ll give up, but if you’re serious and you keep working at it, publishing more and more books, growing your readership slowly over time, you’ll outlast the others. I’m not talking days or months here, I’m talking years. You have to be in it for the long run, looking at success ten years down the road. Every step you take today is a step in the right direction.

4. Problem: Indies can’t handle bad reviews! This is an important and often overlooked stigma. Even I worry about reading Indie novels given to me by the authors, because what if I don’t like it? Can I give my honest feedback? Will I hurt their feelings? Will they get pissed off and write me nasty messages? Sometimes it’s easier just to read the bestsellers because the authors don’t give a crap whether I like their book—there are a million other people who do!

Solution: Don’t react or respond to reviews in a negative fashion whatsoever. Many Indies have gotten themselves into a lot of hot water that way, and once you get a reputation for “reviewer bashing” you’ll never recover. If a review is mean or you think it’s unfair, write it off as bad luck that the wrong person got ahold of your book. Never lash out. If you get a review that’s well-written, balanced, and constructive, read that review ten times over, learn from it, improve from it. Your readers will appreciate that more than you throwing a tantrum.

Wow, I fear I’ve run off the virtual page. If you’ve made it this far, I hope you found my thoughts on the challenges of being a self-published author, and some of my proposed solutions, helpful or at least interesting. I wish you all the best in your writing and publishing endeavors, and remember, never give up!

Happy Reading (and Writing)!

David Estes

David Estes

David Estes is the author of more than 20 science fiction and fantasy novels that have received hundreds of thousands of downloads worldwide, including The Moon Dwellers, Fire Country, Slip, Brew, and his new SciFi Pinocchio retelling, Strings. He lives in Hawaii with his inspiring Aussie wife, Adele, rambunctious son, Beau, and naughty cat, Bailey. When he’s not writing, you’ll likely find him at the beach swimming, snorkeling, or reading under an umbrella. You can get FOUR FREE books by signing up for his mailing list on his website: http://davidestesbooks.blogspot.com

Apr 12, 2016 | Posted by in Uncategorized | Comments Off on Tuesday Takeover: Become an Indie Author and Get Rich Quick! By David Estes (Proud to be an Indie!)